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Showing posts with label Media. Show all posts
Showing posts with label Media. Show all posts

Wednesday, October 6, 2010

Inception - An idea can start it all


In the new film Inception by acclaimed director Christopher Nolan (Memento, Batman Begins, Batman The Dark Knight) moviegoers come face-to-face with the depths of the human subconscious, where a heist like no other happens. What are the stakes you may ask? It’s the simple endeavour of extracting ideas from individual targets whilst they slumber in a dream state. During the course of the film the subconscious becomes the playground of a band of thieves (extractors) led by Cobb (played by Leonardo Di Caprio). But, by the same token we learn that dangers lay dormant in the minds that Cobb’s team invades. Ultimately Cobb finds himself facing a danger so intimately linked to his own heart, that it endangers not only him but his whole team.

Inception transverses the landscape of science fiction in a largely different direction than its brethren, like The Matrix which dealt with similar subject matter within a unique perspective. The Matrix was set within a network of human minds confined to a cyberspace world, constructed by machines trying to oppress the freedom of mankind. Inception shares a likening in approach to the science fiction of William Gibson, notably his novel Neuromancer, which bases itself in a physical reality with the added dimension of the cyberspace world as a backdrop to the action. Inception takes a slightly more toned down view of the future in a setting more recognisable to us in the present. 

With our familiarity established Nolan picks the dream world of the human subconscious as the battlefield for our heroes. Led by Cobb, a widowed husband searching for a way back to his children, we learn that all is not what it seems in the world of the subconscious. When a mysterious Japanese businessman (Ken Watanabe) offers a business proposition to Cobb and his team. Cobb reluctantly agrees not knowing fully the repercussions of his decision. The name of the game is inception (the act of planting a wholly original idea in the mind of a target). However, Cobb and his associates encounter dangers they never dreamed of as they travel deeper and deeper into the vastness of the human mind. Yet, as the film progresses they soon realise they’re in for more than they bargained for.

The supporting cast are no newcomers with the likes of Ellen Page (of Juno fame), Josehp Gordon-Levitt (500 Days of Summer), Dileep Rao (Drag Me to Hell) and Tom Hardy (RocknRolla) who bring to life Nolan’s vivid film spectacular of action and jaw-dropping special effects. The stunts in the film carry the weight of the narrative so effortlessly, increasing the tension of the heist as it progresses. Rooms become weightless with people flying everywhere, buildings collapse at mere whim and the questionability of the reality the characters live in is all part of Nolan’s master plan. It seems that Christopher Nolan can do no wrong, however Inception does so much more. Nolan has always been obsessed with perceptions of reality, façade and the frailty of memory (the prime focus of his film Memento), yet Inception trumps all previous efforts. Inception is a solid classic, and can be considered Christoper Nolan’s best film to date parting with a unique experience. 

Monday, August 2, 2010

Star Gate Universe, Redescribing My Favourites

Among the drones of the nerd collective, I fly the banner as a digital legionnaire. Gaming, star ships, dragons and hell of a lot of coffee; these are the things I pledge an allegiance to. As a nerd, there’s nothing more blissfully satisfying than sniffing a variable digital coke off of an electronic toilet seat (so to speak). Although, and despite relinquishing most of my soul to a life of visual and audible servitude; I have made the best of efforts and intentions to avoid fanboyism at all costs. Nothing is worse than when an intelligent debate of Star Wars vs. Star Trek or Cloud vs. Sephiroth is mangled by an angry fanboy flaming the forum. In trying to avoid the ruthless path of a fanboy, I have dedicated myself to keeping an open mind to both clones and sequels of my favourite franchises. In the spirit of extending myself, I am going to give Star Gate Universe a shot.

You’ve finally figured out what this article is about; I like, love, cherish (need more synonyms), adore, admire, respect, and value (there that should be enough) Stargate. It’s the novelty and quirkiness in combination with a deep and engrossing sci-fi lore that commands nothing but love for the series. Both ‘SG1’ and ‘Atlantis’ appreciate the need for an appreciably serious plot, yet preserve a balance with witty characters and a light (sometimes comedic) atmosphere. So when a darker, more serious Stargate ‘Universe’ takes the stage; an urge to show my Hyde or Hulk side began to emerge. The only way to stop it is to shut up, watch some episodes and give my first impressions.

I began the first episode with some seriously negative expectations; while in retrospect, I should’ve had more faith in what I now believe to be a thoroughly enjoyable and gripping series. Stargate Universe primarily takes place aboard the Ancient built star ship known as ‘Destiny’. The lead characters, rather predictably, are the stranded aboard an ever journeying and slowing decaying Destiny. The series comprises of their current ‘day to day’ and past struggles. I say past because Stargate Universe has made a uniquely large attempt at defining and intelligently developing the major characters and their back stories. This, along with state of the art CG and cinematic techniques help it to break away from (of what some felt) a low budget feel of SG1 and Atlantis. That being said, Stargate Universe also comes packaged with the necessary increases in violence, blood and sex that all modern audience attracting series maintain.

As a diehard fan of SG1 and Atlantis I lament the loss of the series’ wit, character tone and flare. Everything being equal however, I really appreciate and enjoy this new series as a thing in itself and as a new take on former Stargate Tradition. It really seems to be the beginning of a great series. I can already see me being unable to wait patiently for each new episode.

As a sci-fi series I give it plenty of praise; it’s a shame it doesn’t quite feel like a Stargate series just quite yet. gr33n_FIEND

Wednesday, July 7, 2010

Prince of Persia The Sands of Time: An adaptation not full of fail


Few game to film adaptations are successful and capable of earning a box office success, but the question is does Prince of Persia Sands of Time fare well? In recent years the rise of comic book movie adaptations has been popularised and every hero from the ‘goddamn’ Batman to the mighty (and drunk) Ironman have fallen prey to the Hollywood treatment. So, when the Prince of Persia franchise (beloved by hardcore gamers who would murder any director who bastardised their ‘baby’) was to be made into a film, heads turned and I found myself wondering the outcome of this whole fiasco. There have been many attempts at videogame adaptations with the Uwe Bol ‘classic’ Silent Hill (with only the badass-ness of Pyramid Head offering mild entertainment) to the Super Mario Bros. live action movie (with Dennis Hopper might I add) that flopped at the box office.        
 The Prince of Persia cast is spearheaded by well known actor, Jake Gyllenhaal looking the part for most of the high budget flick. Most fanboys would be raging at the Prince played by Gyllenhaal citing some minute difference between him and his videogame counterpart. The reality is that the videogames and film will differ as games execute story differently to films. Subsequently certain videogame elements may not bode well on film (this depends on the focus of a videogame) and in the case of Prince of Persia plenty of storyline exists. The central premise of a prince setting out to save a kingdom in dire need is carried well by Gyllenhaal, this juxtaposed against an entertaining performance by Ben Kingsley (a veteran of villains) provides a dynamic contrast between the pretty boy prince and vengeful uncle played by Kingsley. The result is a film that balances adventure, action and the occasional comedic moment to break the tension of the good versus evil narrative that drives much of the film. The added novelty of the Prince’s ability to rewind time(with the aid of a magical dagger) is intriguing, and wasn’t exploited fully in my opinion. The plot itself is one which has been overdone a million times in other countless adaptations of comics or videogames, and doesn’t mean the film loses out. The simplicity of a prince trying to save his kingdom and fighting off evil is a welcome effort and for me provided a great way to relax and not have to worry about complicated plot devices.          
 With the storyline of the videogame franchise so strong a foundation exists for director Mike Newell (director of Donnie Brasco, Mona Lise Smile and Harry Potter & The Goblet of Fire) to create a film that is faithful to the videogame trilogy and can peek the interest of moviegoers. The film merges elements from all three games revealing a Prince with depth and darkness as played by Gyllenhaal. The film prince can be comparable to other heroes harbouring self doubt such as Spiderman (played by Toby Maguire) with added awesome of Captain Jack Sparrow (played by Johnny Depp). ‘Awesome’ meaning the character holds an inexplicable charm, which I feel Gyllenhaal’s prince does more so than Toby Maguire’s Spiderman ever did. In all truth the Prince of Persia is a much better film than Spiderman 3 ever will be. The director Newell is not new to moviemaking and has an interesting body of work behind him making him a good choice for the director’s chair.    The film is an enjoyable ride with some standout performances by the supporting cast. 
 There were some memorable performances from the supporting cast with Alfred Molina as Sheik Amar utterly lulzworthy in his portrayal of an ostrich racing organiser, who conducts business in the desert to evade tax. However, Prince of Persia is still a Disney film and lacks any blood and gore due to a PG-13 rating. The film otherwise is faithful to the source material. It’s not a straight ‘by the book’ adaptation by any account yet it stays fresh using elements from the trilogy of games. The action sequences and camera work are on par with other Disney blockbusters, Pirates of the Caribbean most notably. It’s easy to see Disney hopes to create a new cash cow, which is highly unlikely. At the end of the day Prince of Persia works well as a mediocre action movie and a good night out at the movies. But, you wouldn’t be adding the Prince of Persia to your DVD or Bluray collection any time soon I reckon. 

Thursday, May 13, 2010

Iron Man's number two


Just this week I was asked by a friend the most deep and intellectual question, ever possible. It was so amazing and shocking that I remained in a state of silence for a few seconds, before swiftly in my mind visualising possibilities. The question, simply put by the oh so clever individual, was, "Hey, how do you think Iron Man takes a dump flying around in his suit?". The question was so groundbreaking I considered my options, and the possibilities of how Iron Man could take a 'number two' materialised in front of my very eyes.


Some of the choices were so incredible I just had to share them with you.

Here they are in no particular order:

  1. Iron Man shares the same excrement disposal system that airplanes use where planes ascend to high altitudes and said excrement becomes frozen, and is released into the ocean below.
  2. Iron Man has a unique fossil fuel generator integrated into his suit so when he decides to let the ‘spaceship’ loose, it is converted into a viable fossil fuel (in comparison to something like coal).
  3. Iron Man has a missile guidance system situated near his rear that shoots out special skudmark missiles made of a combination of faecal matter and high explosives.
  4. Finally, Iron Man simply has a release latch so that whenever he feels nature calling, he simply opens the hatch and lets loose like a pigeon midair.


These are all possibilities, and some could be the truth. Or, maybe Iron Man has a strong case of constipation and is in need of some laxatives. Better call an ambulance for the man of iron because nature is a bitch, even to superheroes like Iron Man. RAMjew


Monday, May 3, 2010

I didn’t realize it, but 300 Words makes reviewing things very difficult. Recently I had been given the task of a 300 word District 9 review. And while I don’t think I completely failed, I may need some practice. Anyway, here it is in all its mediocre glory:



"Breaking from stagnant tradition, Neil Blomkamp’s District 9 not only injects new life into the sci-fi genre, but manages to maintain the genres original redeeming qualities. Sci-fi customs seemed set in stone, character types repetitive, and narrative plots remaining generally unchanged. So it is definitely refreshing to see such fluid acting, readily identifiable themes, unique locations and cinematic choices. It’s an emotional roller coaster that supplies brilliance by the bucket load.

The film introduces us to Wikus van de Merwe, the corporation M.N.U. (Multi-National United) to which he works for, and who maintain District 9; the Johannesburg slum where a marooned alien species currently reside. In a routine reallocation project, Wikus unwittingly infuses himself with mutating alien D.N.A. and so must avoid capture by the M.N.U. who in the search for new weaponry, want to study him as they have secretly and brutally studied the resident aliens. Subsequently, Wikus attempts to aid the aliens in returning home, in exchange for a cure.

In striving to innovate, District 9 completely throws the genres defining characteristics on their head. Its indicative and emotional strength lies in its ability to twist the familiar into the unexpected. No longer are the alien’s a vastly superior, suppressive and omniscient force; but instead find themselves nutritionally crippled and at the mercy of humanity. Introduction of character, plot and setting through a documentary styled introduction takes the surreal aspect of sci-fi and makes it real. Combining this with some amazingly implemented and realistic C.G. effects gives an impression of believability. Which when applied to the very real themes of segregation and xenophobia, it becomes exceptionally easy to imagine ourselves in the same situation to which the characters find themselves; especially considering the films mirroring of Apartheid in a similar South African setting. District 9 begs for sympathy in aliens who closely resemble our own humanity, and asks us to recognise the evils of our own nature."
Its a brilliant movie. And regardless of anyone elses opinion, one of my favourites gr33n_FIEND

Friday, February 5, 2010

Horror has never been so lol!


Over many moons there arrives a horror movie which defies all logic, and overrides the laws of physics. It obtains in the process a state of epicness, and lolness like no other.
Halloween II might be that movie because Rob Zombie has hit gold. Rob Zombie rebooted the dying Halloween franchise in 2007 and garnered mild success. Forward to 2010 and the release of his sequel, which looks more like an extended version of one of his music videos.

Lauri Strode (Scout Taylor-Compton) has survived the murdering mayhem of her pyscho hulk brother Michael in the previous film (Tyler Mane). Once, again Michael kills people in a variety of gory, obscene ways. All in the hope of getting to his sister Lauri, now named Angel in the film. The film suffers from being a confused mess, with random symbolism and moments that defy common sense. Michael is able to flip cars over with his bare hands, and dismember bodies like a fiend on speed. The consistent use of a white horse throughout the film is quite jarring, enhancing the lol factor of the film. Michael seems to be the Hulk rather than a serial killer on steroids. Or, perhaps he is both.

One of the more promising points of the film is the score, and the intriguing direction Rob Zombie chose to take the franchise in. The score uses classic 80s synth music coupled with some classic rock bringing a bit of nostalgia to the movie. This reminds me of many other slasher films from the same time period as Halloween, and enhances the funny moments of the film (which are meant to be so horrific). Rob Zombie uses many weird transitions and has unexplained plotholes in his version of the franchise, but offers some weirdness and a plate of awesomeness instead. The movie is a must see for any horror fan looking for a good laugh. The promise of a low budget film in the hodpodge of over-complicated horror movies, is strangely welcoming. Weird is good, and Rob Zombie deserves a view. RAMjew

Thursday, February 4, 2010

Kaze No Stigma stinks!


If one anime could be filled to the rim with generic vomit, that would be
Kaze No Stigma. I watched the anime on the recommendation from a friend. But, oh was I sorely mistaken. I am quite the avid anime fan and appreciate a good action anime every now and again. I don't even mind the slight inkling of romance and comedy. Yet, Kaze No Stigma takes stereotype and fanservice way over the top. The anime was animated by Gonzo, who produce anime ranging from average to epic. This anime was average, bordering on stupid.

First off, there are two main characters Kazuma Yagami and Ayano Kannagi. Kazuma is the quintessential silent, but strong type. He has been exiled from the Kannagi family, because of his inability to use fire jutsu. Kazuma is very much the Sasuke of the series, with less emo-ness and a pole up his ass. He is constantly protecting his brother, who is the damzel in distress for most of the series. Ayano on the other hand is a strong willed redhead much like Shana from Shakugan No Shana. This shows no true effort on the part of Gonzo to establish her character more effectively.

The animation is mediocre as expected of such a fail series, and character development is limited going nowhere. Fans will be left with dissatisfaction and a coppery taste in their mouth, from biting their tongue at the epic fail of the anime. RAMjew

Monday, October 12, 2009

One Small Piece of Anime Heaven

One Piece, it was almost assuredly love at first sight. Not only is it my most beloved and cherished of anime series, but for me and many others;it defines what an anime series should be. To such an extent in fact, One Piece has become an epic in its own right. Ok, so that’s more than enough fan speak for now, I don’t want you to get tired of me before you finish reading this post. So let me cut out all the unnecessary fat, and let’s get down to business. Yes, I believe One Piece to be worthy of praise, and yes, I am writing this post in the hopes of convincing, if only a few of you, to watch One Piece. But I’m not naive, and I’m most certainly not stupid, well at least I hope I’m not. I also know that not everyone reading this post is a fan of anime, moreover, I know that every anime fan that is reading this post, already has a favourite anime. So in the attempts of not angering anyone, and therefore losing my cause, I am going to try and motivate my point.

One Piece is story which revolves around the exploits and characters of the Straw Hat Pirates. Pirate anime, originality from the get go. The Straw Hat Pirates are a crew 9, who consist of:

Luffy (Captain)
Zoro (Swordfighter)
Nami (Navigator)
Usopp (Sniper I guess)
Sanji (Cook)
Chopper (Docter)
Robin (Archaeologist)
Franky (Shipwright)
Brook (Musician)

A normal enough crew name wise, but as you can see, there is clearly nothing ordinary about them. Before I make an attempt at explaining what makes this particular crew or any other character in One Piece, unique; it would probably be wise of me to explain the setting of which this anime finds itself. One Piece is set in a world of fantasy, where the King of Pirates, Gold Roger has been captured and executed. But before his death, he had announced to the world that all the wealth and power he had obtained, a treasure of epic proportions, could belong to anyone who finds One Piece. And while the anime still has not alluded to what One Piece is, many fans have put forward their own hypothesis as to what it is. Now as you can imagine, this announcement had not only set off a chain reaction of interest and desire for One Piece, but started the age of pirates. The story is based upon a tiered plot system, where not to be too confusing, many different sub-plots, story arks and characters are involved in their own individual events/circumstances, while still maintaining relevance with the story as a whole.

A majority of the story takes place in the Grand Line, a mystical strip of ocean running along the equatorial centre of the world. In this ocean, and owing to its mysterious nature, each individual island can consists of its own unique climate, environment and mystery. For example, one may be under continuous winter and populated almost exclusively with people; while another may contain a jungle environment, populated with giant animals and a more advanced civilisation. Baring in mind of course, these islands could be considerably close to each other, while never actually influencing one other at the same time. Now of course, without a conflict of forces, the effectiveness of the story would quickly be rendered mute. And in One Piece, there are two forces at play; the pirates searching and battling for One Piece, and the second force is the World Government trying to end the age of pirates, making them the counter balance to the equation.

This being shonen, you’d expect some type of special powers or abilities with which this anime may individualise itself. And of course, you’d be right. In One Piece there are fruit known as Devil Fruit, these fruit have the ability to grant a unique power to anyone who consumes one; and although that person loses the ability to swim in water, it usually makes that individual superior to anyone without an ability. As you would expect, a few of the Straw Hat Pirates have Devil Fruit powers which I would love to explain. But for reasons of respect for the show, and that I don’t believe I could properly do the crew justice in so short a post; I will leave that up to discovery.

So, what makes the Straw Hat Pirates so unique? I don’t think I could do that question as much justice as watching the series could. What makes One Piece such a great anime? Now this is an answer I think I could do justice, and without the worry of introducing any spoilers. There is no simple answer as to why One Piece is so loved, for one thing, it has unrivalled originality in its setting and characters. Of the hundreds of characters that have been introduced, each one is almost completely unique in both appearance and personality. Not only is the story is great, but the setting that is the Grand Line owes itself to completely new experiences and stories every few episodes. The characters have a real strength behind them; you easily believe their motivations, emotions and ambitions. But all this is trivial compared to the real reason to love this anime. And that is the emotions you experience when watching it; I have cried, laughed, got angry and sad while watching One Piece. You don’t watch One Piece, you live it.

Hopefully I’ve enticed you enough to give One Piece a try, you won’t go wrong. And even if you’ve never watched an anime series before, or more than that, you’re completely new to the whole idea of anime. I say to you, no, I plea to you; give One Piece a try; because you can’t go wrong when the first anime you watch may just happen to be your favourite. gr33n_FIEND